Tuesday, December 06, 2005
Vibrato. Must, must, must! It's absolutely important, of course, it's equally important how much you do, and where you do it at. [Duh]
Your notes tend to be flat, especially your higher register notes, B and E.
Your trills can be improved. Faster. It sounds like semiquavers right now.
The part where there are many quavers [B note], please articulate.
You tend to rush sometimes.
VIBRATO AT THE END OF THE PIECE IS A MUST.
Your Brahms has improved. Earlier on, that piece sounded like a fly could finish it off. Just be careful, don't overdo it now.
The first line. Don't go out of rhythm.
Watch out for your high notes.
Right now, I see a lot of your vibrato, but I don't hear much of it.
Emotion, girl. I mean in terms of when you play, it has to sound emotional, at least.
I think those who have played Brahms before should know. Oh, the Academic Festival Overture in C Minor, Op. 80 too. Very emotional, I should say. Try it. (;
Chen Yi... can't say much. You've just started.
C'mon, I know you can do it!
Maybe I should give this to her. Just some lil' feedback. After all, she's the one who'll benefit.
11:47 am
